When the husband of a dying woman is approached by a corporation pioneering a new program to extend life through robotics, they get caught in a public debate over human's relationship with technology.
In the film, Baker plays a teen girl named Tori whose social media-centered life causes her debilitating anxiety. When she refuses to go to school, her concerned mother sends her to stay with her grandfather Benoit (Roy Dupuis) in a remote wilderness cabin. Benoit proceeds to refocus her life on survival skills, until a crisis finds Tori quite literally fighting for her life.
A woman is kidnapped by a family who claim that she is their missing daughter. She must impersonate this other woman in order to survive while she tries to find a way out of this nightmare.
His dream was simply ordinary. To live in a comfortable apartment, waking up to a happy morning with his loved one. However, as he roams around a casino located in Gangwon Province, everything he had crumbles. Young-gil, who dreamed of a happy future with Harim, finds himself trapped in the temptations of the casino, sinking into an abyss with no bottom. He can’t escape the allure of the casino, losing his way in an unpredictable swamp.
Young-gil, who used to rely on his truck for his living, ends up pawning it, betting with the borrowed money from Harim’s mother instead of regaining the truck. He even spends the meager amount given by the village elder for the transport fare to the casino. His actions go beyond recklessness and into despair. Despite having several chances to escape the quagmire of misfortune, and encountering kindness from others, Young-gil ultimately fails to save himself. His image reflects a society where “money” has become of absolute value, portraying a risky and heartbreaking self-portrait. It feels even more precarious and poignant. (MO Eun-young)
源自:https://www.bifan.kr/eng/program/program_view.asp?pk_seq=6558&sc_category_seq=6022&sc_num=1&actEvent=view