几个年轻时怀揣街舞梦想的青年，多年后经历了人去人走、世故变迁，怀着对朋友的怀念，怀着对未来的憧憬，又重拾了自己年轻时的梦想，用舞蹈诠释了人生态度……

暂无简介，敬请期待

In the film, Baker plays a teen girl named Tori whose social media-centered life causes her debilitating anxiety. When she refuses to go to school, her concerned mother sends her to stay with her grandfather Benoit (Roy Dupuis) in a remote wilderness cabin. Benoit proceeds to refocus her life on survival skills, until a crisis finds Tori quite literally fighting for her life.

An intersecting anthology series all about love, loss, lust...and making a connection.

A woman is kidnapped by a family who claim that she is their missing daughter. She must impersonate this other woman in order to survive while she tries to find a way out of this nightmare.

小丽体内潜伏着“先天性间歇失忆症”。她曾是组织内最冰冷的利刃，如今记忆却如破碎的沙漏，无情地周期性漏空。一次任务后，失忆症骤然发作。她独自坐在陌生酒吧角落，茫然如同初生的婴孩。几个心怀恶意的男人围拢上来，污言秽语混着酒气喷在她脸上，将她拖向门外未知的黑暗。恐惧本能地攫住她，身体却比意识更早苏醒。片刻之后，巷子里只剩下她剧烈喘息的声音和四周无声的躯体。

通过一对生活在小镇母女之间相互依存又相互控制，展开一段关于复杂关系的人性故事。表达了单亲家庭中母女二人因为爱而相互牺牲，展现爱来抵抗不幸生活的价值观，弘扬向正，向善，向上的社会关系，展现人间真情。

医学生哈娜长期深陷身材焦虑与暴食循环，暗恋着健身房教练阿拉尼亚。偶遇瘦身成功的旧识后，她接触到一款效果逆天的天价减肥神药，拆解成分后发现核心原料竟是人类骨灰。无力承担药费的哈娜利用医学生身份便利，偷取解剖课上肥胖女性的遗体骨骼，自行烧制骨灰制作减肥药。随着体重持续下降，一只饥饿的肥胖女性鬼魂开始缠上她，哈娜的身体越瘦削，鬼魂的体型就越庞大、攻击性越强，一步步把她拖进生理与精神的双重深渊。

法医沈南乔与保安队长王天谅调查“囍神阴魂”第一夜便撞见诡异一幕，红姑子的绣花鞋半悬在迷雾里，红灯笼无声飘过，仿佛在挑选下一位新娘。恐惧在村庄蔓延，一场尘封的旧债正被冤魂重新唤醒。越接近真相，红姑子的哭声越发清晰，而“囍神”似乎始终跟在南乔身后，冥婚的祭典正静静等她入场。直到那口红棺材再次打开，她才终于意识到，红姑子未必是鬼，而人，也未必是人。

加拿大Finch and Midland这个十字路口，见证了无数华人移民踏上新生活的起点。人来车往间，也承载着一代代异乡人对未来的期盼与不安。在这日渐没落的华人社区，四名九十年代香港移民的飘泊故事正演到中途：看似风光的工厂高管Tony（黄秋生 饰）因失业顿失方寸，唯一慰藉竟来自闯入家中的少年；过气歌星Dan（谭耀文 饰）渴望与女儿重修旧好，却无法放下自尊与过去；独自照护母亲的Eva（杨诗敏 饰）渴求爱情，却在情感骗局中愈感孤寂；单亲母亲Fan（李绮虹 饰）为女儿的未来竭力求存，却被生活玩弄于股掌之间。导演杨永光成长于加国移民社区，以细腻影像拼贴出离散港人的心灵群像。飘泊半生，却仍似在原地兜圈，在人生的十字路口，我们何处是家？ 　　影片取材自真实故事。

塔拉托娅·斯塔帕德（Taratoa Stappard）沉思的处女作将我们带入1859年北约克郡的阴沉荒野，大英帝国的势力范围在那里投下了漫长而扭曲的阴影。玛丽·史蒂文斯（Ariāna Osborne饰）是来自新西兰奥特亚罗瓦的一名年轻毛利教师，她来到这里寻找家庭真相，却发现召唤她的人已经死了，没有明确的回家路。玛丽被困在一片陌生而不受欢迎的土地上，在霍克泽庄园接受了看似仁慈的纳撒尼尔·科尔爵士（托比·斯蒂芬斯饰）的工作，科尔爵士是一位富有的地主，他是一名南海捕鲸者。但在庄园冰冷的石墙内——货架上摆着偷来的毛利桃花，黑暗的走廊里回荡着祖先的低语——玛丽的不安变成了恐惧。被非她自己的幻觉和记忆所困扰，她开始揭开一个可怕的真相。随着科尔意图的险恶性质成为焦点，马拉玛变成了一种血腥的清算，从不回避怪诞。最初对身份的追求变成了对自由、尊严和精神生存的斗争。

His dream was simply ordinary. To live in a comfortable apartment, waking up to a happy morning with his loved one. However, as he roams around a casino located in Gangwon Province, everything he had crumbles. Young-gil, who dreamed of a happy future with Harim, finds himself trapped in the temptations of the casino, sinking into an abyss with no bottom. He can’t escape the allure of the casino, losing his way in an unpredictable swamp. 　　Young-gil, who used to rely on his truck for his living, ends up pawning it, betting with the borrowed money from Harim’s mother instead of regaining the truck. He even spends the meager amount given by the village elder for the transport fare to the casino. His actions go beyond recklessness and into despair. Despite having several chances to escape the quagmire of misfortune, and encountering kindness from others, Young-gil ultimately fails to save himself. His image reflects a society where “money” has become of absolute value, portraying a risky and heartbreaking self-portrait. It feels even more precarious and poignant. (MO Eun-young) 　　源自：https://www.bifan.kr/eng/program/program_view.asp?pk_seq=6558&sc_category_seq=6022&sc_num=1&actEvent=view

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讲述了一个 “观察的男人”。卢卡 (里卡多・史卡马西奥) 娶了萨拉 (玛丽亚・基娅拉・詹妮塔), 一个比他富有、最近刚满 40 岁的女人。他是一位饱受危机困扰的老师，在封锁期间，他最终成为了一个旁观者，观察着他的新邻居阿曼达 (玛丽拉・加里加) 的生活。他决定弥合他们之间的鸿沟，结果造成了灾难性的后果。