In Javanese culture, Sengkolo is a negative entity that often haunts humans, brings bad luck and brings disaster. On the first night of Suro, Sengkolo moved to target several weton who were his prey.
The script centres on Marianne, the wife of a wealthy industrialist, envied and admired, model spouse and devoted housewife. She’s about to turn 40 and the comfort of the large family home has slowly closed its merciless trap on her. The prisoner of an inextricable network of social, family and marital obligations, accomplice of her own erasure, she has denied herself, without ...
